Wednesday, April 18, 2012

Slovenia


After three cities (four if you count Pisa, where our flight back to Italy landed) in nine days, with countless transportation connections, a lot of late nights, various excessive and degenerate behaviors, finally coming back home in Florence just in time to start another week of school and work, we did what any reasonable couple would do. We went to Slovenia.

We did wait a couple of days, but then we hopped on a bus and went to Ljubjana, the capital of this exactly-as-old-as-my-students country, previously part of Yugoslavia. You might well be thinking, why did you go to Slovenia? And why so quickly on the heels of spring break? The answer is simple. We went because we could. Gonzaga-in-Florence organizes several weekend trips for students. I had talked with the Travel Learning Program staff earlier in the semester about the possibility of going on the Southern France trip (no go -- not surprisingly, that was a popular one), and they steered me towards the Slovenia trip. I guess Slovenia doesn't have quite the name recognition as France, because there was still room on the bus. So, following the rule "don't say no unless you have a really good reason," we signed up.
(not my photo -- you can tell because it is summer in this photo!)
I have to admit that I was, and to some extent still am, embarrassingly uninformed about Slovenia, to the extent that I had to look up the capital and the official language on Wikipedia the night before we left. It's a very small country -- perhaps the size of Washington state? -- and Ljubjana, the capital city, is about the size of Spokane. The country is famous for almost nothing, either historically or currently. It was essentially untouched by and did not participate in the war in Bosnia Herzegovina. It was a fairly sleepy part of the Austrian empire for several centuries, and then a fairly sleepy part of the Eastern Block (I was amused to see that the closest reference to the Soviet Union found anywhere in the National Museum of History was a line about how the twentieth century was a time "of experimentation with socialization.") I did discover one endearing fact: it is the setting for Twelfth Night, (my favorite Shakespearean comedy, should that ever arise as a trivia question) as it was known as the Illyrian provinces in the Early Modern Era. I guess Sebastian and Viola's ship crashed into the, er, swamps that constitute the country's coastal area. Shakespeare never was that good with geography.

Ljubjana (the first j is silent; the second functions as an y) is an fairy tale of a city. There is a castle hanging on a promontory above the city. The city itself was destroyed by an earthquake in 1511 and was rebuilt in a Baroque Renaissance style. There was another earthquake in the 19th century, which made room for a number of truly stunning Austrian Secessionist (basically, art nouveau) buildings. In the 1920s and 30s, the public spaces in downtown, including the large market area, the river walk, and several bridges, were almost completely renovated by Joze Plecnik. His vision was only finished two years ago with the completion of the wonderfully grotesque Butcher's bridge, decorated with terrifically creepy statues of largely flayed bodies, some bronze internal organs and mutated frogs here and there, and the best, most horrible Adam and Eve sculpture I've ever seen.

Actually, the Butcher's bridge is a bit of an anomaly, because the rest of downtown Ljubjana is shockingly picturesque. Most of Plecnik's style seems to be a curvilinear yet beefy classicism, which does a surprisingly effective job of blending the Baroque and Nouveau style of the city together. The river is flanked on both sides by broad, well lit avenues lined with cafes, bars, and boutiques. An enormous and deep pink Baroque church presides over the main square, and very cool dragons guard the aptly named Dragon Bridge. And then the castle seems to float above everything. The entire city seems brand new, well scrubbed, and ready for a Disneyland Main Street Parade.

What we did not find in Ljubjana was good food, alas, although the fault may have been ours. We ate some shockingly bad pizza, some very good Slovene bread, and some otherwise fairly generic food. We both avoided the "meat cheese" the hotel offered in the breakfast buffet. Fortunately, we had much better luck eating in Bled, the resort town on the shores of alpine Lake Bled. Lake Bled is like a smaller, post-Soviet Lake Como, by which I mean that, like Lake Como, it is shockingly beautiful and surprisingly Alp-y. It showed no signs of ever having had Lake Como's money, anything approaching Como's tourist industry, or Como's chicness. But, Lake Bled does have an island with a 15th center church on it, accessible only by gondola-like row boats, which Como does not have.

On the advice of our Slovene tour guide, who was born in Bled, for lunch we tried Burek, the local answer to a hamburger. It's a sort of meat pie, only flakier. Imagine a cross between a meat-filled danish and  spanikopita, except with meat instead of spinach. If what is coming to mind seems high on the grease and salt scale, difficult to eat, and pretty much destined to ruin whatever item of clothing you are currently wearing, then you get the idea. It was also really satisfying. The meat was simple ground beef (I think), but it had a subtle mix of spices -- I'm pretty sure there was some paprika, but also some nutmeg and maybe a touch of oregano -- that was really delightful. We also took our guide's advice and had a cream cake from the best sweet shop in Bled. It was good, but I don't think it was the cream cake to transform my understanding of what a cream cake could be, which is pretty much what she had promised me. I suppose it would have been difficult to meet that expectation, since I had no idea what a cream cake was to begin with. It was, at heart, whipped cream on custard with some sort of cookie base. Is that what you understand cream cake to be? Anyway, it was good, wholesome creaminess, but not exactly a revelation.

To top the trip off, the bus stopped at Postojna Caves. I've never quite understood the draw of caves as a tourist stop, but these are pretty cool. They are a Unesco World Heritage Site, which is euro-zone for National Monument, so they were extremely accessible, with a four kilometer train ride in and out and a 2 kilometer guided and incredibly well lit tour. The calcium formations really were breathtaking, diverse in color and in shape. I still probably won't go out of my way to see caves, but now because I'm pretty sure no cave will ever be as large or as pretty as the Postojna caves.

Sunday, April 8, 2012

Spring Break, part 3: London, or, I'll Eat Ten More

Wednesday morning, we woke up in Argegno, Lake Como (I was pleased and frankly a little surprised that my encounter with missoltini the night before had not had disastrous consequences). We took, in order, a bus, a train, the subway, another bus, a flight, another train, and the London Underground, and by evening, we found ourselves in Soho, in the heart of London. All connections worked and were on time, so here's three cheers to public transportation!

We find a lot of our accommodations through AirBnB. The name is a little misleading, since basically none of the listings are bed and breakfasts. Instead, they are anything from rooms up to free standing homes, about half for commercial medium-length rentals about about half just people's places. We talked with one guy in Portland who lists his place every summer while he and his wife teach for NOLS up in Alaska. I know that AirBnB had a disaster, both of the real and the PR kind, last year, but so far we have had really good luck with them. As with any of these social networking style cites, it pays to read the comments CAREFULLY. So, no promises, but we found our great loft in Portland through the site, and we found this stunning flat in Soho. The location was almost miraculous, since it was smack dab in the middle of one of the busiest pedestrian neighborhoods I have ever experienced, and yet somehow felt tucked away and super quiet. The flat itself was well decorated, but the best thing about it was the ginormous rooftop terrace. No view, but so nice to have outdoor space in which to lounge.

London has a very special place in my heart, and not only because basically every piece of literature that I love (and study) get written there. The summer after my sophomore year in college, my parents wonderfully paid for me to join my then best friend Anjali for three weeks in London. She was just coming off her own year abroad in Rome (where she reverted to carnivorousness and, I think, had her first taste of alcohol outside of the Eucharist), and was staying with her extended family in, I believe, St. John's Wood, which was then a heavily East Indian neighborhood.

The trip was equal parts fascinating and wonderful and awkward. My commitment to art and literature was cemented, and my friendship with Anjali frayed.  The most important part of the trip, however, was that I became acquainted with the London Underground. I had done a decent amount of high-responsibility traveling basically on my own because of my horse, but this was the first time I had traveled totally solo, and the first time I had left the country (except for drives into Canada). I was pretty nervous about getting lost, about getting robbed, apparently about starving to death (I found my journal from that trip recently, and it was all about food -- no surprise! -- but mostly about the price and abundance of food. I was very happy to have discovered ploughman's lunches at pubs, which usually provided a lot of food for very little money, and I loved fish and chips for the same reason). Anyway, all that anxiety just melted away once I realized I understood the tube. I couldn't get lost! I could go anywhere! I was master of the city! It was one of the most empowering moments of my life, right up there with the time I took a 6'6" foot jump in warm-up by accident and cleared it, the time I stood up to Roland Greene during the oral defense of my dissertation, and the time I ran troublemaker in Alberton Gorge without having to swim.

London is an amazing city, and I wonder if it is maybe having a particularly shining moment. There was construction everywhere, and much of it had to do with public spaces large and small. Leicester Square was closed for construction, and the gardens in Covent Garden were being worked on. Everything seemed gleamingly clean. While I would normally say that was just in contrast with Italian cities, but we actually saw a guy with a steam wand and scraper removing gum from Carnaby Street. We were there for four nights, and that was no where near enough time to do everything even on our short list of must sees. We did make it to the Tate Modern, which was astounding, and to the British Museum, which was awe-inspiring. We did not make it to the National Library, the Tate British, the Tower. We didn't even see any theater!
(the punk/goth scene in Camden Town)
What we did do was gorge ourselves on food. One of the results of reverse-colonization is that London has an amazing diversity of cultures and their foods represented on their streets. Many of the other benefits are, of course, less desirable, but this one is definitely a plus. We had Indian twice, and never even ventured to East End where the good Indian restaurants are. We had Thai. We had amazing dumplings from a cart in the Stables Market in Camden Town. I ordered a restrained three of them, ate them all immediately, and then went back for ten more. Soho is right next to Chinatown, which allowed for a late night, post-drinking run for crispy duck pancakes, with actually crispy crispy duck! I ate ten on those, and then could have eaten ten more, maybe ten to the power of ten more. Three months in Italy, with its restrained use of spice so that the quality of the ingredients can shine through, and my tastebuds were prepped for some sizzle and spice.

(not my photo)
Did I mention that we found great Italian in London? We had a mid-day snack at Princi, an Italian cafeteria with the most beautiful little desserts. We had the millefoglie, which was layers of flacky filo interspersed with cream and berries. Sublime. It was so good we went back the next day and had exactly the same thing. If I lived in Soho, I would do that every day of my life, body shape be damned.

We also went dancing. Or, more precisely, we went to a dance club and ogled. I have never been to the kind of big city dance club where whether you get in is based on how good looking you are, so when we decided to go to the fairly well-known Punk, I was highly dubious. The benefits of being old is that even though I thought we were heading out ridiculously late (ten thirty), the club was still so empty they were trying to fill it up, so not only did we get in, we got in without a cover. The club started to fill up in the next hour, mostly with a group of about twenty kids who clearly knew each other. At the risk of sounding like a pearl-clutcher: I cannot believe what those girls were wearing. Granny panties. As outerwear. Lacy, sparkly, leather, and over sheer hose, but still clearly granny panties. It is an honest to god trend, and not some ridiculous, runway-only, not-in-real-life monstrosity. The only girls not in granny panties where in micro-minis that actually were shorter. Scales reset quickly, and one look at the brick house in a dress so short, shiny and tight even Heidi Klum would have passed it by, and the granny panties started to look downright chic. Especially the black embroidered lace number with the mesh booties. Keep in mind, neither Jeremy nor I packed anything approaching club wear, so we are both basically in jeans and t-shirts.
(also not my photo)
Anyway, the music was good, but by midnight nothing much was happening except the swilling of alcohol out of bottles at tables and posing, so we headed out. Given our attire, I think they were just as happy we were gone, since the place was filling up with the young and fashionable. You would think that, halfway around the world from home, fifteen hundred miles from Florence, in a city of eight million, my drunk run for chinese food would have been reasonably safe. But no -- just outside of china town, someone grabs my shoulders and says "Tredennick!" Three of my Gonzaga in Florence students, one of whom seemed thrilled to see me, one who seemed dazed, and one who said, several minutes into the interview, "O my god, you're my professor!" Makes one feel like a dog on their hind legs.

Anyway. London. Go there. Eat a lot. See art. Talk English. Can anything be better?

 

Wednesday, April 4, 2012

Spring Break, part 2: Lake Como, or, I Discover the Fifth Food I Don't Like

After three days in Milan, we hoped a train to Lake Como. Here is what I knew about Lake Como before leaving: a) it seemed likely to involve a lake b) George Clooney owns a house there, and c) rich people go there. What I did not know, and in fact continued not to know even after we arrived, was that Lake Como is in the southern edge of the Alps, and is surrounded by high, craggy mountains. The combination of lake, snowy peaks, forest, and small Italian towns make Como a spectacularly beautiful place. I think more of Clooney now. He may have questionable taste in contractually obligated girlfriends, but he has fantastic taste in real estate.

The day we arrived was rainy, foggy, and cloudy, so much so that I never saw the other side of the lake, let alone the mountains. There were some indications that we had made a couple of strategic errors in our planning. We knew it was off-season, but we had not realized that meant the inter-village ferry ran on a much reduced schedule. Como is a long, skinny glacial lake, with a series of very to only somewhat small towns every five kilometers or so around the shore. There are buses that run up both sides of the lake, but to get to the other side of the lake by bus would have required several transfers. Our rather odd Liverpudlian bed and breakfast host gave us a ferry schedule and helped us read it, only to then announce that the first ferry out of town the next day didn't leave until after noon. Since we only had one day to explore, and the ferry was our best form of transportation, we were concerned.

We went into town and had a perfectly tasty lunch, and then, armed with our ferry schedule, we tried to go to another town via ferry. We figured if we were going to go anywhere, we should do it then. We went to the boat launch and waited. And waited. No sign of the ferry. By this point the fog had lifted and we could see most of the lake: no sign of the ferry. Eventually, we gave up and just relaxed in the B&B.
(not my photo)
Fortunately for us, we found our way to La Piazetta in Argegno (that's the town we were staying in) for dinner. From the menu, it looked like a typical, casual Italian place -- pastas, pizzas, some more expensive secondi. But, from the second we were seated in the upstairs dining room, we knew we were in for at least something different. The waiter was very formal, as were the table settings. The (turns out only apparently complimentary) prosecco was excellent. When we asked his recommendation for an appetizer, he suggested we go off menu and try a sturgeon pate and cold smoked salmon combination plate. I'm so glad we did. That sturgeon pate was exceptional -- so creamy and rich, with all the sweetness of the fish but no fishiness. Even Jeremy liked it. The cold smoked salmon was also unusual, in that it had the texture of lox, but a good deal of real smoke taste. That they served this with fresh wasabi was also unexpected, especially in Italy!

Our pasta dishes were refined comfort food. I had a leek and pancetta chitarra; Jeremy had a ravioli filled with fresh farm cheese and served with browned butter and balsamic. Both were well balanced, well seasoned, and both featured perfectly chewy handmade pasta. But the real surprise was the brick chicken that we split for our secondi. It was, as we were expecting by that point, perfectly executed, with tender meat and crispy skin. What we didn't expect was that it was seasoned with some pretty serious and sophisticated Indian spices. We definitely tasted fenugreek and coriander, and I'm pretty sure there were black mustard seeds in the mix. After months of Italian food -- delicious, but basically spice free -- it tasted like heaven. If you find yourself in Lake Como (and you have some cash burning a hole in your pocket), I would definitely recommend a dinner here.



The next morning dawned warm and cloud free, and for the first time I realized that our room had the view with which I started this post. Rather than wait for the ferry, we decided to take the funivia ride up the sides of the lake, and were rewarded with some spectacular views and some very tempting hikes. We went down, discovered the bus wouldn't come for a while, so we decided to head up to the next town on foot. We were lucky that, when we were nearly there, we discovered the beginning of the "greenway," a combination hiking trail and pedestrian-friendly route connecting the next several towns. We hiked the greenway to Lenno, and then decided to try our luck with the ferry again. Turns out that not only did our landlord have no idea how to read the ferry schedule, the one he gave us was entirely wrong. Hence the waiting the day before. Fortunately, a boat was just about pulling up, so we jumped on and headed to Bellagio, armed with a new schedule.

Bellagio is, the internets tell me, the most visited of the Como towns, and I believe it. We were surrounded by Americans and Brits. The Floridian weatherman we met seemed typical -- he and his girlfriend were hitting about a European city a day. They seemed disappointed by all of it (especially Milan). At least Como was pretty, they said, and the restaurants catered to English speakers (if only they had catered to them with better food). I felt bad for them -- especially her (he was a little too slick to engender much sympathy). Like so many Americans, she had been so excited to see as much of Europe as she could, but then the whole trip was spent on trains, getting too trains, hitting the top five sites per city, and then getting back onto a train. If I could give one piece of advice to someone planning a trip to Europe, it would be to spend at least three nights in any given city. You always spend the first day hitting those "must sees." It's the second and third days, where you seek out the things specifically interesting to you, or you have no idea what you are going to find, that you get a feel for what a place is like. Plus, you need to give yourself a chance to make some restaurant mistakes in your search for a good meal or two. Okay, two pieces of advice: I would also say that investing money in good walking shoes and time figuring out public transportation are essential. The only way to enjoy most of these places is to walk around. A lot. In the morning, during the day, at night. It is much easier to head out walking if you have some confidence you can hop a bus to get back.
(also not my photo. Obviously)
Back in Argegno, we decided to try the other restaurant in town, rather than returning to outstanding but pricey La Piazetta. Mistake number one. Mistake number two: we went at Florentine dinner time, not Lake Como dinner time, so we got nearly the last dishes out of the kitchen. Mistake number three: I ordered the spaghetti Lario, made with missoltini. I was told it was a local specialty. I was told it was made with dried lake fish. I was told I could get it nowhere but near Lake Como. I had very much enjoyed my other Lake Como specialty, pasta with white fish roe, the day before for lunch. I knew I had made a mistake when my plate was set down before me and my head was enveloped in a cloud of the nastiest old fish smell I have ever smelled. I'm talking pungent, funky, perhaps even slightly fermented fish fume. But, I'm game. I like fish. I like Thai fish sauce. Heck, I even like Thai dried shrimp in small doses, which is the closest thing edible I can come up with to describe this scent. Imagine Thai dried shrimp mixed with kim chee, but without the peppers. Anyway, I tried. I really did. I take a certain amount of pride in my willingness to eat anything and try everything. But this stuff tasted just like it smelled. Worse, it was chopped up dried tails, fins, and skeleton, so it was basically noodles with rotten fish bones. As I picked a long spine out of my teeth, I cried uncle. Alas, the kitchen had already closed, so I was reduced to eating some pasta with leftover (and highly salty) mushrooms. I guess you win some and you lose some.

And for those of you wondering about my title, the list has almost doubled since coming to Italy. I now don't like the original trinity -- Doritos, licorice, and gummy candy -- and also tripe (not gross, but I do not like that internal organ flavor that builds with every bite) and missoltini. I realize I might be being unfair, and that perhaps the missoltini I had was of poor quality, or had in fact turned bad. Perhaps under different circumstances, I would discover missoltini is my new favorite food. But those circumstances will, sadly, never occur, because I plan to avoid that stuff for the rest of my days.

Were I to go to Lake Como again, I might do some things different. I would definitely bring hiking boots. My Fluevogs are as comfortable (and stylish) as two inch heels can be, but by the end of our ten km hike, my dogs were screaming. I would not go to Bellagio, but instead spend time in the towns with less name recognition. I would almost certainly rent a car or a scooter or a boat. I would not order missoltini. While not perhaps the most effortless leg of our trip, I am still incredibly happy we went, and that I got to see what may be the most spectacular lake outside of Glacier. And believe me, there is no where within a state of Lake MacDonald to get food even half as good as that at La Piazetta.

Next stop: London!

Tuesday, April 3, 2012

Spring Break, part 1: Milan

The near month-long hiatus since my last post has not been due to a sudden cessation of eating, or a tragic lack of topics, but rather for the much happier reason that Jeremy and I have been far too busy traveling to write. Spring break began back on March 16th, and we went a blissful ten days without our laptops. Even Jeremy managed to leave his beloved Macbook at home (although he did take both his iPhone and his iPad. Nerd. I can say that because I only brought my iPhone. Although, that is mainly because I don't have an iPad, which I otherwise would have brought.) We spent time in Milan and Lake Como, before heading north to London. The eating was good, the people watching was better, and all the travel connections worked the way we thought they would. Could anyone ask for more?



Our spring break began in Milan. We were hungry for a taste of a big, thriving city, and we were hoping to do some serious shopping. Milan, being as it is the fashion and the economic center of Italy, seemed the place to go. People here say that Milan is either the southern edge of Europe or the northern edge of Italy, and I think what they mean is that it feels at least as much like a northern European city as it does an Italian city. It is not nearly as rich in beauty as Rome, for instance, or as rich in history as Florence or Venice. It is, however, rich in riches. There is money in Milan, and lots of it, and all of it on spectacular display. From the massive modern building projects to the high profile designer fashion, from the cars people drive (we sighted many Maserati, Ferrari, Bentli, Porsche, and Ducati) to the way Milanese walk the way only Important People with Important Places to Be walk, Milan oozes capital.

As most of you know, I have something of a penchant for shoes, particularly those of the high-heeled variety. Generally, I operate under the assumption that I am quite fashionable, at least by Spokane standards. I read fashion blogs. I watch video of runway shows. I was looking forward to meeting some actual high fashion face to face. I even went to Milan with the explicit intention of blowing a ridiculous wad of cash on a pair of shoes to match the entirely lickable pair Jeremy bought in Rome last year. And believe me, we found shoes that cost a ridiculous wad of cash. They were next to the purses, dresses, coats, pants, sweaters, and everything else under the sun that also cost a ridiculous amount of cash.

It hit me while we were in 10 Corso Como, something of a mecca for the directional dresser. It is sort of a department store of high fashion, bringing under the same roof the current collections of pretty much every designer you have ever heard of and many that you haven't (unless, of course, you are really in the know). There was not a thing in that shop that was under 1000E except for the 10 Corso Como canvas totes, and even those rang up at an impressive 150E. Much of the stuff was beautiful, and I have to admit that I was surprised by how dense and lux many of the fabrics were. The silks used in Azzedine Alaia's frocks were thicker than any upholstery fabric I have ever seen, thicker than I knew silk could be, and the colors were dazzlingly saturated. But, what really hit me was how . . . dull everything was. The clothes seemed designed to be recognizable as truly expensive rather than to be expressive, either of the designer's or the wearer's vision. Fashion should be an kind of art form rather than a walking price tag. This was typical to almost exactly half of my response to Milan: wretched excess on display.

Fortunately, the other half of my response to Milan was far more positive. Milan claims to be the birthplace of aperitivi, and it does early nightlife better than any other place I have been. We spent two of our nights in a neighborhood south of downtown called Navigli, after the three confusing and unpractical seeming canals that bound the area (they were empty and rather unsightly when we were there, but I imagine could be quite pretty). The streets were lined with bars lined with bountiful buffets of food. We saw Indian, Japanese, and a surprising number of tex-mex places. To be honest, I would have been surprised had there been only one tex-mex aperitivi. Even better was that the streets were full of that peculiarly Italian mix of people: young and old, Prada and Converse shod, all mingling in happy, drunk-free, conflict-free social harmony. On Saturday night, we even found our way into a live music venue featuring The Kolors, a very good eighties cover band. I'm impressed by any band that can do convincing versions of both Michael Jackson and Nirvana, and somehow make both seem like their own.

Our final night in Milan was a Sunday, and rather than do another aperitivi crawl, we opted to search out some risotto. After all, Milan is famous for the stuff, and almost all of the rice production in Italy happens in the vicinity. After consulting Chowhound, we decided to try Abele Trattoria Temperanze (many thanks, Irene65!). It was a bit of a subway ride out into a neighborhood that was not, shall we say, displaying its wealth. The restaurant itself seemed a typical Italian neighborhood place, and certainly privileged comfort over decor. A place with Turkish toilets cannot, after all, have pretense.

We began our meal with an antipasti of smoked duck and goose, with a little salami thrown in for good measure. Both were delightfully balanced between smoke, salt, sweet, and meat, but the unctuousness of the goose fat made it the star of the plate. Then we moved on to the risotto. Now, there is much debate about the perfect consistency of risotto: should it flow across the plate, or have a certain internal coherence? Should the rice grains be completely tender, or have a little bit of tooth left?


I believe I can now offer a definitive answer. My apologies to Tom Colicchio, but it does not need to flow. It should gently mound. And yes, one should be able to identify a firm center to each grain, although I would describe it as slightly softer than al dente pasta.  I ordered mussel and broccoli rabe, which was a master class in seasoning. How did the mussels stay salty while the risotto was slightly sweet? The bitter-sweetness of the rabe was the perfect bridge between the two flavors. Jeremy got the ricotta and chestnut, and that to me was a revelation. The ricotta was almost too much, almost too creamy, the natural starch of the rice almost overpowered by the dairy. Almost, but not. The chestnuts were sweet and meaty without being mealy or bitter or burnt. The whole effect was as close to dessert as one could get without a hint of sugar.

As they say in Big Night, it's just rice. But oh, who knew what rice could be. It's enough to redeem an entire city of wretched excess. Thankfully, there is so much more to Milan than merely rice and excess.

The next day, we headed out of Milan to Lake Como. But that is a discussion for another day.

Sunday, March 11, 2012

The Food Gods

The Food Gods, like most gods, work in mysterious ways. Sometimes, just when you think they hate you, the bestow upon you a great blessing. But man, does one have to pay for it!

Yesterday was a beautiful Saturday, and Jeremy and I decided we wanted to take our friend Erik's advice to take a bus to a little town south of Florence called Panzano, eat lunch, walk to the next, slightly bigger town, Greve in Chianti, and then take the bus back home to Florence. I looked up all the pertinent bus information on Google, packed absolutely nothing, wore a t-shirt and very light windbreaker, and off we set. Except, being us, we had overslept and got a late start. We were still trying to figure out if we had the right bus stop when the bus we wanted blew past us, not stopping because we weren't flagging it down. We took the next bus, over an hour later, only to discover that it required a transfer that took another 40 minutes. We didn't make it into Panzano until past two.

One of the reasons for going to Panzano is that it is the home of Dario Cecchini, the celebrity butcher of Tuscany. I wanted to have lunch at his restaurant, but somehow, we missed it. How did we miss it, in such a tiny town? One possibility is that we found his other restaurant, the one not open for lunch, and didn't realize there was another place. I think it is more likely that the food gods obscured our vision. You see, they had a plan for us. We had a perfectly satisfactory meal at a different restaurant that had the most spectacular view and garden, and then headed off to explore the town. There wasn't much to explore, as it has basically three streets.

While we were walking toward the town's church, we passed this beckoning boar's head. When I stopped to take this picture, a very smiley man in a strange hat came outside and tempted us into his wine-tasting establishment, where he proceeded to have us taste no less than fourteen wines and one reduced, unfermented grape juice. He was chatty, and the wine was good, and we drank and chatted and drank and bought a whole bunch more wine than we probably needed to, and then we drank and chatted some more. Notice the gleam in his eye. Clearly, this was no normal mortal, but a Satyr in disguise, sent to distract us. In fact, I think this was the final test of the food gods, to see if we were willing to sacrifice our plans and our comfort for the pleasures of the table.

Either he did his job well or we passed the test. By the time we left the shop, we had already missed the last bus, although we weren't going to realize that for another two hours. The card at the bus stop said there was one more bus, so we waited. And waited. The sun went down. The wind picked up. I started to become hypothermic. Jeremy gallantly gave me his coat, and then he started to become hypothermic. Thirty minutes after the bus was supposed to have come, we finally went into the town's bar, where the very nice men who spoke no English explained that there was no late bus on this Saturday, although neither Jeremy or I could figure out why. No one seemed to think it was a festival day -- just that some Saturdays, there is a late bus and some there aren't. We thought about walking the rather narrow and now dark road to Greve, thinking it was a larger town and therefore would be easier to catch a bus there, but we were told there were no more buses from Greve either. Plus, I was severely underdressed for such an undertaking. We had no alternative but to spend the night and take one of the two buses that run on Sunday.

I can't say I was happy by this turn of events. I didn't have contact solution or my glasses with me, so I didn't know what I was going to do to be able to see the next day. We didn't have toothbrushes or a change of underwear. I didn't much fancy staying in some random, budget accommodation. I was put out with myself for not having planned and prepared better, and I was disappointed that we were wasting an entire weekend on this rather lackluster excursion. Mostly, however, I was cold, and anything that would get me inside and warm as fine by me. Jeremy was amazing through all this, single-handedly keeping me from having even a little meltdown with his unflagging good spirit, his unshakeable confidence that everything was going to be fine, and his decisive action to make sure that everything was, in fact, fine. Plus, when he needs to use it, his Italian is pretty darn good.

There are no hotels in Panzano, but there are two bed and breakfasts. The exceedingly nice man at the bar called the cheaper of the two for us, and the even nicer owner, Mario, actually walked to the bar to escort us to his place. On the way there, we passed the famous butcher shop, and he asked if we wanted to have dinner there. Well, sure! But the butcher shop restaurant was full. How about at his other restaurant? Other restaurant? Why not? He went to the kitchen door -- the smells were amazing -- and basically begged the women there to make room for us. I should say that Mario is almost a caricature of a small town Italian man. He is tall, bald, mustachioed, with a big booming voice and the presence of a much younger man. He talks constantly, makes jokes, laughs at them, and pours his wine freely. Everyone in Panzano (which does not seem to be a large number of people) knows Mario, and he stops and talks with everyone. Jeremy and I are absolutely convinced that we would never have gotten a seat without Mario. In fact, we are pretty sure the place had been full for a while, and that he convinced them to add a few extra chairs just for us. The negotiations with the kitchen staff involved air kisses and arm waving and eventual smiles all around, and us having an eight pm reservation. I love Mario.

Solociccia. The name means "only meat," ciccia being a tuscan slang term for meat. In the rest of Italy, it means the part of the body we call love handles. I have never eaten in a restaurant like Solociccia. I have never eaten food like I ate at Solociccia. There is no ordering. There are no individual tables. You sit down at a large, communal table already stocked with red wine, water, and house made soprasseta, bowls of focaccia and other bowls with large pieces of raw vegetables. Our table was filled with young, good looking Italians from nearby (and one very well behaved dog named Bernie).  The space, apparently, is an old farmhouse, but the decor is clean and modern.

The meal began with one of our tablemates explaining that we should use the bowls to mix together a salt and spice compound with olive oil and maybe vinegar, and use that as a dip for our vegetables. Our main waitress/hostess/guide -- the very same woman Mario had schmoozed in the kitchen to get us our reservation -- brought us stainless carafes of delicious, rich brodo. She explained (in Italian, of course), that one should not dip one's soprasseta in the brodo. "What are we, Americans?" she said. Did I mention that this lovely woman had blue hair? See for yourself. I, too, once had blue hair. Coincidence, or the evidence of the food gods at work?
After we had time to savor the brodo, the platters started to come fast and furious. There was crostini with a spicy shredded beef topping, and a butcher's fritto misto, with little slices of some unmentionable part of the cow battered and deep fried and mixed in with the onion rings, deep fried sage leaves, and Jeremy's favorite from Venice: polpetti. No potato in these babies, however! There was a disturbing sounding dish called ramerino in culo (rosemary up the ass), that turned out to be a tartar, ever so lightly browned on the exterior but still raw and cool on the inside, skewered with a sprig of rosemary.

And then the kitchen rolled up their sleeves. No more fooling around with bite-sized this and clever that. Now was time for meat. Thick slices of beautifully pink roast, with at least a half inch of fat and a crispy edge. Boiled beef with vegetable salad. Umidi -- braised beef. The beans were an under seasoned afterthought, something thrown in to make the nutritionists happy (although, even those, when mixed with the meat juices from the roast . . . ). It was a symphony of beef, and exploration in the different flavors of beefiness.

For me, the revelation was the boiled beef with vegetable salad. Before this trip, I would have bet money that I would never like boiled beef. Beef, I thought, requires a good browning to bring out its flavor. The bolita (boiled beef) sandwich at Nerbone started to change my mind, and this salad finished the process. It really couldn't not have been more basic: boiled beef, some cut with lots of fat and connective tissue, cooked down to perfect tenderness, with a huge mouth feel from the gelatin. That is served, warm, with cold, raw julienned carrots, celery, and red onion. The only dressing, I believe, was the meat juices. The fat from the meat floated the flavors of the vegetables, so that the sweetness of the carrots, the spice of the onion, the greenness of the celery sang and lingered like I had never tasted a vegetable before. Jeremy preferred the Umida, bravely cooked well past where any self-respecting chef would have stopped, cooked down almost to porridge. It was soft and tender, and there was a deep, resonating taste of fond throbbing in the background.

The meal ended with a barely sweet olive oil cake, coffee (the one thing I skipped) really good house grappa, and Cordiale (a whiskey-like digestivo that reminded me of bourbon), and, dare I admit it? a cigarette bummed from the rather drunk ragazzi outside the restaurant, who invited us to a party and wanted to talk very earnestly about Hurricane Katrina and the American culture of fear. Did I mention how good the grappa was? Strong, and burning, but with a lovely undertone of raisin and wine.

The meal was better than the sum of its many, many parts. Somehow, that restaurant has managed to manufacture that rare, mystical experience that eating, at its best, can ascend towards. There was food, and more food, and then more food, each teaching my palate something or taking it somewhere different and new. There was conversation. There was a keen sense of pacing, with lulls for reflection but never a chance to be bored. The food was sumptuous without being overwhelming, abundant without tipping into excess. It was all simple, but prepared in the true Italian tradition, from the best ingredients with time-consuming or just time-honored techniques for maximizing their intrinsic flavors. It was an apotheosis, although of what, I'm not sure. This is what the food gods had in mind for us all day, and I will be forever grateful for their acolyte.

We staggered the fortunately few steps back to our slightly spartan bed and breakfast room, and tried to fall asleep. It took me hours, because I was buzzing from the wine, the food, the day's adventures, even a little nervousness about our ability to make it back to Florence the next day. Plus, I really, really wanted to brush my teeth.

My concern was for naught. We woke up in plenty of time this morning, had a coffee at the bar, where our friends from the night before double checked the bus schedule for us for the fifteenth time. Mario walked down with us, so we were immediately part of the gang. Our waitress from the night before was buying coffee in front of us. We browsed the very small market, and then, right on schedule, the bus to Florence pulled up and dropped us off, nearly on our doorstep, barely an hour later, tired and smelly but also fat and happy. I'm still not sure if this experience was a confidence booster, that we can roll with travel mishaps, or a confidence killer, leaving us more nervous about heading out next time. I just know that I am incredibly happy that everything happened the way it did.

Wednesday, March 7, 2012

Intermediate Italian


I cannot learn Italian -- at least, it seems hopeless that I would ever achieve anything even approaching fluency. I can read fairly comfortably (assuming I have a good dictionary beside me), but launching into a conversation and being able to keep up? Never. However, on this trip, I have progressed past the very basics that I have had in the past. I can ask questions and often understand answers. I have mastered the all important deictics: I would like one of these, or, could I try on that over there? When people ask me follow up questions, I don't have the impulse to drop what is in my hands and flee.

You may be getting the picture that I am fearless neither in my social nor my speaking skills. You would be right about that. That fact has, in the past, kept me from sampling some of the simpler joys of Italian cuisine. O sure, I  mastered "Potrei assaggiare?" (May I have a taste?) before I stepped foot in this country. I mean, some things are basic. But, the idea of going into a bakery, asking them if they make sandwiches (they all do, by the way), asking what kind of meat and cheese they have as options, negotiating the eighty-five different varieties of bread, was so daunting that I had only two kinds of sandwiches in my past trips: ones I made myself, and pre-made ones I could order via pointing and grunting. Oh, to think of those lost opportunities! I grieve for those uneaten sandwiches!

Sandwiches here are great. In a country of great cured meats and amazing cheeses, what else would you expect? They tend to be extremely simple: some sort of roll, one kind of salty pork, sometimes cheese, sometimes tomato, rarely both at the same time. Many bars make piles of sandwiches in the morning, and they sit in the case until someone points at them. I am a fan of any country that considers a ready and immediately accessible supply of proscuitto and scarmoza sandwiches a necessity. Almost directly under our apartment is a little bar called Baldobar (it's associated with Baldovino). They have these delicious mini-sandwiches that one can get just as a snack. I'm telling you, my life will be considerably emptier when the snack sandwich is not nearby. Baldobar calls this size sandwich a mignette, but that seems far to French, so Jeremy and I call them paninini.

Such sandwiches are good, sure, but you have no doubt already spotted the weak point of this system. Slicing bread and then having it sit out for hours is not good for the bread. It's not great for the salami or anything else, either, but the real problem is the bread. Plus, you are at the whim of whatever kind of bread they have decided to put your preferred swine flesh on. For really good, fresh sandwiches, one must brave the local panificio (bakery). Once inside, one must order a sandwich -- and here is the tricky part -- usually without help of a menu, or indeed any indication that they have either ability or desire to make a sandwich. One must identify bread, meat, cheese, accompaniments. One must even explain how big a sandwich one wants. It's all a little intimidating, but oh so worth it!

Our favorite panificio is, conveniently enough, on the walk home from school, which I take right about lunch time, so I hit it enough that the guy knows me. It's called Panificio Brunori, and it is right next to La Giostra on Borgo Pinti. They seem to specialize in schiaccia, a foccacia-like bread baked in enormous sheets. It is salty and crusty, with a dimpled surface filled with olive oil, and a chewy interior. There is, at lunch time, always a massive line, which is why I went in there the first time. I figured the line would take so long I would be able to figure out what was happening by the time I reached the counter. They cut the bread to the size you want (I often tell them I want a big sandwich, for my boyfriend, but then eat the big one myself), then go into a magical back room where they slice the meat you have ordered. I have settled on porchetta and arugula as my sandwich of choice. It's not the usual porchetta, which is hot and sliced thickly. This stuff has already completely cooled, and he slices it salami thin, which means the ample cold fat, which would be really gross any other way, acts like the fat in salami, melting immediately in your mouth to create a lovely, rich mouthfeel. Sometimes the bread is still warm. Sometimes he puts a little very thick balsamic on the arugula. Always, it is just sublime.

And now that I have mastered the panificio for sandwiches, the next step -- cookie ordering -- was a piece of cake, so to speak. The problem with cookie ordering is two-fold: 1) there is no way to know the name of the infinite number of cookie varieties. The thing is, Italians don't know the name of them all either, so everyone just points. 2) cookies are sold by the kilo here, and who knows what a kilo of cookies looks like? Again, the answer is embarrassingly simple. Just say how many cookies you want. I want six. Of those. No, those other ones. What was I nervous about?

For cookies, we like the bakery in Sant'Ambrogio market. They have these sandwich cookies that begin with a buttery sugar cookie shell, filled with apricot jam, and then partially dipped in very dark chocolate. The darkness of the chocolate is the key, because its bitterness offsets the otherwise too sweet jam. I was skeptical about the partial dipping, being fairly sure I would prefer full chocolate coverage. I was wrong -- the partial dip allows a good chocolate-apricot-cookie ratio, as long as one isn't so greedy as to eat all the chocolate side first. In other words, there is some chocolate management that has to occur. But, that is a small price to pay for cookie heaven.

Monday, February 20, 2012

Venezia Carnevale



In the 18th century, the most serene empire of Venice was no more, having been dealt the final blow by Napoleon in, I believe 1797. The story goes that without the business of trade and conquest that had kept it busy for so many centuries, and with a cushion of wealth and luxury that would last them at least a century or two, the city settled into some hard-core decadence. Gambling was legal and socially acceptable (in Venice, that is, not back home, wherever home might be), and the pre-lenten celebration known as Carnevale, or meat festival, lasted for six months. The tradition of going masked, in fact usually in elaborate full costume, meant that the nobility and the lower classes could mingle at will. Perhaps more importantly, the masks gave the illusion that there were no consequences.

You know what's coming: what happened in 18th century Venice, stayed in Venice.

Twenty-first century Carnevale is a considerably scaled back affair. It only lasts for the ten days before Ash Wednesday, for one thing, and the whole mixing of the classes isn't as liberating as once it was. But, it turns out, it is still pretty intense.

Jeremy and I went to Venice this last weekend, which was the last weekend of Carnevale. We had, I say this with no little sense of smugness, a perfectly effortless travel experience. We have figured out the train system and the self-serve ticket machines. We arrived at the train station with the perfect amount of time to leisurely buy our tickets, stroll onto the train, and find our seats. The train both left and arrived on time. We did not get, or fear we had gotten onto, the wrong train. We left the train, bought a map of Venice, and walked directly to our fabulous quarters with nary a wrong turn, and found our hosts were waiting for us as promised. Stunning. Same thing on the way home. Luck, experience, and a little facility with the language -- plus, the stars must have aligned. There is no such thing as stress-free travel here.

Venice is a notoriously expensive place to stay, what with everything having to be delivered via boat and hand trolley. The web is filled with complaints about over-priced, tiny, noisy rooms in Venice. I booked at a random place on Hotels.com, described as a bed and breakfast, that seemed frankly frightening cheap by comparison to everything else on Hotels.com. We arrived to discover that we were staying on the top floor of a fifteenth century (or older) palazzo, called Palazzo Papafava. The bottom three floors are largely empty -- a few apartments, a few offices, some space to rent. In fact, that space ended up being the location of a private Venezian ball each night we were there, so we got to rub shoulders with the real Venezians on our way up and down stairs. The top floor is the apartment of Rosa and Paolo, and they offer two bedrooms and a suite for guests. Each room has an attached bathroom, and ours was gorgeous. It was the old library, with four walls of built in book cases, stocked with a respectable collection of art books, mathematics, and Italian and French literature. Turns out, Paolo is a retired mathematician with an abiding love for art. The room also had a fireplace, windows overlooking the roofs and canals of Venice, and a very comfortable bed (with springs!) Each morning, Rosa served us breakfast whenever we wanted it, and gave us recommendations for restaurants, museums, etc. It was, by far, the best hotel experience we have had in Italy. If you ever go to Venice, stay at the awkwardly named At Home a Palazzo. Totally worth it. And check out the website -- it really does look just like that.

Our favorite thing about Venice were small restaurants called bacari (bacaro is the singular). It's like aperativo, but Venice-style. You stand at a long bar, order a glass of ridiculously cheap wine, and point at the platters of delicious little niblets behind the counter. The lovely bartender makes you up a plate of whatever you want -- we saw mixed grilled vegetables, various salads, lots of shrimp and small fishes, that sort of thing -- and then you pay for whatever you have eaten. It never seemed to come to more than a few euro. One evening I had this lovely . . . something. It had proscuitto and mozzarella inside, and then a thick eggy batter, which was then fried until it was puffy and melty and yummy. But the best thing that seemed to be everywhere were the polpetti carne: beef mixed with potato, plus I think some small amount of crushed tomato and a little parsley, rolled in some sort of breadcrumb, and then fried. Somehow, the meat stayed delicate and tender and moist, while the coating was crispy and salty. Imagine the best fair food you have ever had, and then make it Italian. Get the picture? We ate a lot of polpetti.

I also ate a very traditional Venezian dish: pasta with squid ink. It was lovely. Okay, not exactly lovely, obviously, but tasty. The squid ink sauce was far more buttery than fishy, with more sweetness than brine. Even Jeremy liked it, and he is not a fan of the fruits of the sea.

Venice is really beautiful. It is certainly past its prime, and a lot of the facades of the Palazzos are dirty and in need of repair. A lot have been maintained or restored, however, and the streets seem cleaner than Florence in many ways. Well, mainly in one way: less dog crap. The canals really do make it unlike any other city I've ever been to, and they mean that one's vista is always changing from the close confines of medieval alleyways to long vistas of gorgeous facades. The architecture is far more influenced by Byzantine culture than anything else in Italy, which makes sense given Venice's background as a trading partner/sacker of Constantinople. The pointed arches and attention to pattern give the buildings a lace-like quality that is decided un-Renaissance in feel. On Saturday, we made it all the way to the other side of the city to visit the Guggenheim house and exhibit of avant-garde art (the main collection was, alas, closed). What a mind-blowing exhibit. Not only does it just feel good to see modern art after having been saturated by the Renaissance and the Baroque, but also that collection is spectacularly dense with important and exceptional pieces.

But, I should get back to Carnevale. I have to admit I wasn't expecting much. I've never been a hard core partier, and I have very little patience for the whole "bucket list" concept. As Susan Buffam writes in an interesting little poem titled "The New Experience," "Experience taught me / That nothing worth doing is worth doing / For the sake of experience alone." Nice use of enjambment, that. Experience has taught me the value of doing things even if they aren't what I'm normally into, and that when I just relax and let things happen, I usually have a good time. Plus, Jeremy does like the late nights, music, dancing, and he has been so patient going into churches stuffed with very old paintings. So, off to Carnevale!


Carnevale was actually pretty awesome -- strangely both more and less than I expected. On Friday, we walked all around the city, and saw a number of people in incredibly elaborate costumes. These were no ordinary halloween costumes; some of them looked like actual 28th c. clothes that had been passed down for generations. Others were just insanely elaborate. One woman had a gold multi-masted ship on her head. Another had a jeweled cobra that was about four feet tall and three feet wide. Of course, I have no idea if the jewels were real or the ship was actually gold, but the fact that I couldn't immediately tell should tell you something.

Friday night we went in search of Carnavale and . . . missed it. There was a big stage set up in San Marco, but it was hardly a party. No one was there, and the performers were basically jugglers and Punch and Judy acts. We found another square with a reggae band, but only about 25 people listening. We had a really good dinner, walked around a lot, hit a couple of bars, but that was about it. We had a long talk about how it was really okay that Carnevale was kind of lame, since we were enjoying Venice so much. Such was the power of polpetti to make everything right with the world. 

We shouldn't have worried. By the time we were trying to make our way back to our hotel after the Guggenheim on Saturday, the streets had become so massed that we could barely move. There were cops directing the pedestrian traffic, and several of the narrower bottlenecks had been converted to one way. If you haven't been to Venice, you should know that it is a very strange city to get around in. The canals mean that there are relatively few thoroughfares. If you want to get from the train station to San Marco (which everyone does), you either have to shell out ten bucks for a vaporetto ride, or you have to walk the one route that makes it to that part of town. Since some of that route is about two shoulderwidths wide (or one fat American), it can get backed up pretty quickly, especially with people stopping to take pictures of other people in costumes (or just some random bridge/gondola/canal). What should have been a fifteen minute walk took closer to two hours. Anyway, we finally made it back to the room, relaxed for an hour or so, and headed back out just a little after dark. 


The city was completely transformed. Everyone was in costume -- from the elaborate to the super cheap tourist mask. The traditional costumes were still out in force, but modern costumes had joined the scene. There was a group dressed as the ghost busters, complete with leaf-blowers that they had modified into backpacks (they were using the blowing capacity to disarrange women's clothing). (I'm not sure why I'm a hunchback in that photo. I don't think I was the rest of the evening. Maybe I was. There is some things that seem slightly blurry.)  There was a group dressed as the Beattles, complete with sound system, who would periodically stop and lip-synch. There was a shepherd with his twenty sheep. The was an entire group with hand-made masks based on Metropolis. There were clever Italian costumes making cultural references we didn't get/could't translate. There were an unfortunate number of Afro wigs. I was in an awesome blue leather medusa half-mask, complete with snakes, which I had bought on Friday. I was quite striking, if I do say so myself (see the first picture of this post). Drunks loved it -- several tried to steal it from my head. Everyone was shouting and singing and dancing and acting like people in masks and a crowd. 

There were two main squares with music. San Marco had the most elaborate set up, but was so big that it wasn't packed feeling. The more elaborate costumes were there, and the best people watching. The band was unexpected -- all American twenties dance music. I taught some Germans some Charleston steps, which they quickly did better than I did. In fact, I have to say that music was a pretty inspired choice. It was really fun to dance to, and somehow it didn't feel dated or old. It seemed quirky enough to be cool. The other main square was on the other side of the Rialto bridge, and was basically just a DJ and a hundred million people. We were there twice. Around eight, it was physically difficult to get into the square -- you had to push and shove your way past people -- but the actually dance area was still somewhat danceable. We went back around 10:30, and I seriously think it had doubled in occupancy. Sometimes you could get enough space to do some minimum dancing, but more often you just moved with the biomass. There was moshing, crowd-surfing, elbows thrown, feet stepped on. There were a few times I thought I was going down, and once when about twenty people near me did go down in a big tangle. There were a few times when I swear my feet were touching the ground, and I was held up simply by the press of bodies. It was all surprisingly good spirited -- no groping, no fights or really even a hint of  anger, no out of place bodily fluids. 

It was a lot (especially given the general incompetence of the DJ. You know how a good DJ can organize and coordinate a crowd? Not this one.), so after an hour or so, we left. There was really no escaping the biomass if you were out in the city, but outside of the DJ piazza, we could usually move and breath, if slowly and occasionally with other peoples smoke. Eventually, we made our slow way home. We could have stayed out later, but we had been drinking steadily if not much for about six hours by that point and it was starting to catch up with us. Plus, I wanted to remember what it felt like to have personal space. I do like personal space. And quiet. But, it turns out, I also really like Carnevale in Venezia. 




Monday, February 13, 2012

Dinner with Italians


Another reason (what do you think of that for starting in media res?), in addition to the cold, that I have relatively few exciting restaurant experiences to write about is that Jeremy and I have been very social since we have been here, and with Italians, no less. Last summer, Jeremy and I both signed up for Italian pen pals using a website called Conversation Exchange. I can't, of course, speak to anyone else's experience, but we both had great success with it, finding lots of Italians wanting to practice their English over email, Skype, various chat servers. I picked people largely based on their poor English and desire to write more than chat; Jeremy, ever planning ahead, choose more wisely, finding two correspondents who live near Florence.

All of my pen pals petered out, largely due to my terror of chatting with them in Italian, but Jeremy has kept up with both of his. Even better, we have gotten together with both of his pen pals and their significant others, and all four of them have been incredibly nice. You've already seen photos of our day with Matteo and his girlfriend, who took us around the countryside, and then to Prato for passagiato and chinese food. We had drinks and pizza with Katia and Andrea a few weeks ago. All four of these people are fairly young (around thirty); all four want to leave Italy. Katia and Andrea have plans to more to Australia in August. All four speak adequate English -- much better than our Italian -- but could use some brushing up. All four are wonderfully patient with us as we stumble through their language. All four seem to take the idea that they are our hosts in this country as a serious obligation, but one they assume with gusto. 

Once we arrived in Florence, one of my colleagues at the campus here, Henry, set us up with a friend of his, Enrico, as a conversation partner. Enrico is older, and has quite an established career as an art historian. He specializes in the baroque. He has, if you will excuse the colloquialism, a phat apartment. It is right on the corner of Piazza D'Azeglio, one of the largest green spaces in the centro. He has a top floor apartment that takes up the entire width of the building, so he has light everywhere, with views of the park out the front, and views of the terra-cotta roofs out the back. As one might expect, he has a lot of objects: furniture, paintings, tea sets, and things. His English is about the same as our Italian, so it feels like a fairly equal exchange. He wants to improve because he is organizing an exhibition about a particular collector whose collection has been scattered. Several of the pieces have ended up in English country estates, and he wants to be able to talk the owners into lending him their valuables. To prepare, he is reading Jane Austen, which led to me explaining to both him and Jeremy the concept of a drawing room. 

Enrico is from Belluno, and every item of food he offers us is from Belluno. The cheese, the salami, the rice, the totally horrifying little hard nougat candies. Even the corn meal was from Belluno, and grown by his brother. In addition, Enrico has a small country house and garden, somewhere I believe not far from Florence. Everything that is not from Belluno is from his villa: the honey is from his bees; the fennel is from his garden. Best of all, the lemon marmalade is from his lemon trees. Enrico has a perfectly charming habit of wanting to give us small samples of the wonderful things he has, so both times we have met with him, I've come home with my purse full of jars and bags. That lemon marmalade has been the real score so far. It's delicious: just tart enough to remind you it is lemons, chunky with peel, rich with pectin. 

Saturday, Enrico invited us to his flat for conversation, and then dinner with several of his friends. It was completely fascinating to watch his approach to entertaining. About twenty minutes before his friends were to arrive, he began to ponder his pantry items. Really: twenty minutes before a six person, four course meal, he begins to think about the menu. After quizzing me about the way I make risotto, he settled on making a dried mushroom risotto (I must have passed), with a lovely piece of beef he had bought at the market for the secondi. So obviously the menu wasn't totally on the fly, but I really think everything else was.

The first food we started cooking was a fascinating and simple torta. It started with wheat flour (it was some very special kind, no doubt from Belluno, but it seemed like straightforward, finely ground whole wheat flour to me). He added a large gulp of olive oil, and then enough water to make a very loose batter -- I would say just a touch thicker than pancake batter. Then, he threw in a few handfuls of raisins. Into a large -- very large -- well olive-oiled cake round. Then, more oil on top, several spoonfuls of sugar, and copious amounts of rosemary. Into the oven until it was cooked through. I'm pretty sure the recipe would be better with a little leavening of some kind, but the flavors were surprising and great: the raisins brought out the fruitiness of the olive oil, the olive oil brought out the greenness of the rosemary, and the nutty wholewheat grounded the whole thing. This is definitely a recipe to work with. I'll let you know if I ever get it right -- you do the same, okay? The photo at the top of this posting is of us making the torta. Check out Enrico's wonderfully farmhouse-y kitchen, right in the middle of the city.

The beef was also a surprise. He browned it in a pot -- not a sauté pan -- with a lot of oil, salt, pepper, and a spice mixture labeled "spices for braesola" (except in Italian). As it was browning, he put the lid on. Every cooking instinct I had started to scream that this would ruin the meat, which was pretty lean to begin with. Maybe a tri-tip roast? I think I deserve extra credit for successfully biting my tongue. He cooked the meat that way, turning it occasionally, for maybe half an hour, not on super high heat. Somewhere in there, he added a big squeeze of fresh lemon. It never went into the oven. Somehow, magically, when it was time for the secondi, the meat was perfectly cooked. It was rosy and tender on the inside, with nice caramelization on the outside, and the oil and meat juices had combined to make a light and unctuous sauce. He served the meat with chopped chicory sprouts, lightly dressed in a vinaigrette, that would have been too bitter without the richness of the meat to offset it. Utterly divine.

Dinner was surprisingly informal: we ate at his large kitchen table rather than his formal dining room. Antipasti was cheese and salami passed on a wooden round, with no plates. Slices of bread were set directly on the table next to the plates. Wine was in water glasses, and water was nowhere to be seen. We talked about novels and films and whether fast zombies were truly zombies. Even I managed to follow and participate. Once again, the entire group was amazingly friendly and welcoming and patient, and I found that it was, in many ways, easier to talk about topics near and dear to me, since I didn't have to rely on idioms as much.  The frozen vodka at the end of the meal may have helped.

We had Katia and Andrea (that's masculine name, here, by the way) over for dinner here last night, and I think it went pretty well, other than our total failure to utter more than twenty words in Italian. I think the night before drained us of all words. We spent most of the night talking about Lost, which they have been watching to practice English. I think I smell a little bit of a bait and switch, because surely if they can follow that series, they must speak much better English than they led us to believe. Interesting, they said they can understand everyone but Sawyer. And Charlie, but he died early, so he didn't matter so much. I tried to follow Enrico's lead, and keep things simple and easy: cured pork products and burrata for antipasti, orecchiette with zucchini flowers and grana, sliced chicken breasts with butter and sage, biscotti and vin santo for dessert.  I was nervous about cooking Italian food for Italians, but they ate everything and seemed to think it was good.The dessert was not a success -- the vin santo had come as a gift from our landlady, and maybe it wasn't of the highest quality. It was, in short, cooking sherry. And, we already have a text from them they want to get together again soon, so it must not have been that bad! 

Saturday, February 11, 2012

Cold weather food, Italian style



You've probably seen these pictures already, but they are pretty amazing, so I thought I would repost them. I don't know how much of a news story this has been back in the states, but Italy has been undergoing a pretty severe winter storm. The canals of Venice are frozen; there is snow on the Colosseum. The rail system is a mess. Almost every place around Florence has been hit with enough snow to make getting around difficult -- the Dean of the Gonzaga campus couldn't make it from Panzano for one day, and then had to stay in Florence the following night because he couldn't make it back home. Strangely, Florence itself has gotten almost no snow -- just a few flakes here and there. We have, however, been cold for the last week and a half. Really cold. Like, difficult to walk around town cold. To be fair, it has really only hovered around freezing, and I know that, back home, that could be a warm spell for this time of year. But, were I in Spokane, I would have ski pants, long johns, Gortex gloves, and a car with a heater. I packed none of those things. Plus, we have had a strong, Siberian wind whistling through the canyon-like streets, which has brought the wind-chill factor down considerably. So, the impact on us has been pretty noticeable.

The result of all this is that we have been staying fairly close to home lately. We walked to Santo Spirito last night, and felt nearly hypothermic when we got there. We've been cooking in the apartment a lot, taking advantage of the great fresh pasta and produce at the market. Seriously, can someone explain how they still have baby zucchini with the flowers attached in the middle of this storm? I suppose there must be commercial greenhouses not too far away. I'm not complaining -- just confused.

Cooking in Italy always feels a little bit like cheating. The basic ingredients are just so good that you really don't have to do much to put something really tasty on the table. Lately, I've been loving the salsiccia -- sausage. All sausage in Italy is Italian, although you can find variations: with fennel, spicy, regular. Well, really, I've only seen those three variations, and spicy is actually pretty rare. The salsiccia from the butcher in the market has more seasoning than the stuff from the supermarket, but both are pretty darn good. I've also been cooking a lot with these dried red chiles that are pretty ubiquitous here. They are called peperoncini, and are not to be confused with the pickled peppers that go by the same name in the states.They are super hot for how tiny they are, and they add a wonderful warmth to whatever they touch. Mostly, though, I love how easily they crush in your hand -- it's a very satisfying tactile experience, one that communicates a kind of directness that is lost in a lot of American cooking. I'm not sure I've ever seen them in an American supermarket, but red pepper flakes are the same thing. You just don't get to crush them yourselves. Finally, we are going through the grana like it is manna from heaven. It's a hard cheese, and one that tastes a lot like parmesan, but without the high price tag. Parmagiana here is pretty intense, and  is usually enjoyed on its own as a tasting cheese rather than as an ingredient. Even at Super 1 back home, a block of Grana is available, cheaper than even bad, domestic parmesan, and perfect for these kind of uses.


Here are two recipes with pretty similar ingredient lists, but very different results. Both are quick, easy, and both rely heavily on salsiccia, peperoncini, pasta, olive oil, and grana.



Minestra di Salsiccia and Pomodoro

Salsiccia (sweet Italian sausage)
zucchini (the flowers are unnecessary for this one)
a packet of verdura per bollita (in other words, a carrot, a small onion, a rib of celery, and some flat leaf parsley. I love that they sell that all together here!)
Garlic (optional)
Wine
A can or jar of crushed tomatoes
One bullion cube
Peperoncino
Dried oregano
some sort of small pasta
Olive oil
Parmesan or Grana
Basil (optional)

Slice the zucchini into bite sized chunks, and sauté in olive oil until you have a lot of good, brown color. Take out of the pan, and sauté carrots, onion, and celery until similarly brown. Take out of pan, and add sausage (out of the casing), until that too is brown. By the way, you can brown these ingredients in any order you want -- just make sure there is always enough oil in the pan that nothing burns. Put all your browned ingredients back in the pan, add garlic if you want and about 3 crushed small red peppers, and deglaze with a cup or two of wine. I've used both red and white, and both work just fine. Once the wine has reduced, add the crushed tomatoes, enough water to make the whole thing soup consistency, the bullion cube, oregano, and parsley. Simmer for twenty minutes or so, and throw in the pasta to cook in the soup. If you are using basil, throw in the ripped leaves at the very end of cooking. Serve topped with olive oil and grated cheese.



I love the bullion sold in the stores here. Clearly, they have not changed their label since the early sixties. It tastes good, though -- it doesn't have the metallic taste I remember bullion having. Of course, one should probably just use chicken stock, were such a thing handy. The stores here do not sell pre-made broth or stock, so either one makes one own (an expensive proposition, given the price of whole chickens) or one uses bullion.  We've been making this soup with leftover fresh orecchiette, or ear-shaped pasta, that we have been buying at the market. The texture of it is amazingly chewy and delicious. It is, in fact, my preferred pasta for the following dish as well.

The next dish is actually based on a dinner I had in the states, the first time I met Will and Anna, my ex's half brother and his then girlfriend, now wife, who live in the Bay Area. They had found the recipe in an Italian cookbook, and it may be the first time I realized that the real heart of Italian pasta was the pasta, not the sauce. In fact, you might be dissuaded from trying this recipe because it seems dry. It isn't. Especially if you add enough good olive oil, which is one of the keys of this dish.



Pasta with Salsiccia and Broccoli Rabe

Salsiccia
Broccoli Rabe
Peperoncini
Pasta
Olive oil
Parmesan or Grana

Get your water boiling for the pasta first -- this dish goes fast! Brown the salsiccia in a little olive oil, breaking it up as you go. It's important for this dish that the sausage gets fully dried out and nicely brown. Take the sausage out of the pan, and add the cleaned, chopped up rabe. Put a lid on the pan to let it steam a little if you need to, but don't let it over cook. It should be soft but not mushy. Somewhere in here, you should add your pasta to the water. Turn off the rabe if you need to so that the timing works out. When the pasta is about two minutes from being done, turn the heat back up under the rabe. Add the sausage back in, and break up a couple of peperoncini to add in. Add a little salt, but leave the whole thing a touch under-seasoned. What you are hoping for is that the sausage and rabe will be sizzling just when the pasta is done. Add the pasta to the sausage, letting some of the pasta water come with it. Toss everything together, and plate. Then add a healthy (or unhealthy, I suppose, depending on how you look at it) amount of olive oil, and top with a lot of cheese. Simple, but so good -- you get meatiness, chewiness, the sweetness and bitterness of the rabe, a little spice, all brought together by the cheese and oil.

Stay tuned for future entries -- I have so much to write about! Cookies and sandwiches and incredibly kind Italians, not to mention an amazing meal we had last night at Osteria Santa Spirito. Thanks for the recommendation, Erik, although after those gnocchi, I may never need to eat again!

Tuesday, January 24, 2012

The less dolce vita

Italy can be a very strange place (the Italian word for strange is strena, if you are interested. It's surprising fun to say, especially in the context Italia e strena. Go ahead and try it for yourself. Make sure you roll the r. See what I mean?) They do the day to day activities that make up the vast majority of life so incredibly well. Cappuccino, wonderful pastry for breakfast, often filled with cream or chocolate, cheap but still excellent wine all the time, great food, a little downtime built into every afternoon. This is what people refer to as la dolce vita, and it is very dolce indeed.

In terms of functioning, you know, as a society, they still have some work to do, which is odd, because they have more practice than almost anyone except the Greeks, Egyptians, and the Mesopotamians. Come to think of it, none of those places are doing so well at the country level either, so maybe practice doesn't make perfect in this case. By the way, since my topic for most of this post is not so photogenic, I'll be interspersing some photos of our lovely weekend in Signa and Prato with Jeremy's new internet-based friends. Consider them your calm blue ocean within a sea of bureaucracy.

(The view from Artimino)
I am here in Italy legally. My status is the result of an enormous amount of time and effort by a surprisingly large number of people who are highly paid by the hour. The process started back in the summer with me having to get my official BA transcript and my CV translated into Italian. I had to take a last minute trip to San Francisco to visit the shockingly rude consulate office that handles visas. They were open 1-3, Mondays and Thursdays. Fortunately there were two people who work there: the largely silent man who handled the work visas, and the shouty woman who shouted at the students. Mainly things like "I already told you to sign on page four. Go to the back of the line" and "until you put your documents in order, go to the back of the line" and "Why do you have so many photocopies of things. Do you have a photocopy of this other thing? Then I can't help you. Please leave" and, many many times "How many time do the words have to come out of my mouth?" Believe me, I understand how annoying american students can be, but in my experience, yelling at them rarely makes them less annoying. But, at the end of all this, much to everyone's surprise, I received my passport with visa before I had to board a plane. Huzzah!

(A Medici Villa, known for its chimneys. Chimneys, it turns out, is a very difficult word to get to when no one knows the translation. The breakthrough came when Matteo pantomimed Dick Van Dyck's dance number in Mary Poppins.)
But, that was not the end of the story. Once here, I had to present myself to the prefattura's office. I have no idea what a prefattura is, but it seems to be surprisingly similar to a refugee camp. It was housed in a large, modern, concrete building with no obvious front door. Instead, one had to sidle around a wall and slip in what seemed to be a side door. Once inside, one is confronted by a large line of people trying to get past the security gate. I should mention that most of those people are clearly and recently African. They don't seem to be having much luck. I should also mention that Gonzaga paid for a lawyer, a full lawyer with full lawyer-like billable hours, to escort me through this process, so we bypassed the line and walked around the security gate, up some stairs, through another holding pen waiting area filled with Africans, most of whose eyes had that hopeless, thousand mile stare of someone who had been waiting in the same place for the same thing for many, many days. My fancy, Italian-speaking lawyer, however, whisked me past these people and directly into an office, and then embarked on an hour long negotiation with a nice seeming woman that involved a lot of passing back and forth of photocopied things, much me signing things in Italian, a good deal of negotiation, and the occasional compliment about my shoes. 
(Jeremy, Matteo, and Matteo's girlfriend. Whose name begins with a G. We are bad, bad people.)
After an hour, I was sent away without the form I needed. Why? Because the silent man in the San Francisco consulate had forgotten to click a button. He issued a visa to me, but he did not then tell the computer system that he had done so. Of course, it was 2:00 am in San Francisco at the time, so, what could one do? I had to return, with my very expensive baby sitter, the next day, received my form after only twenty minutes of negotiation and document shuffling and then . . . was sent off to wait two hours to present myself at the post office, with more forms and with the lawyer's presumably lower-priced associate.

So, now I'm legal. That is, until the end of February, when I must present myself at the Police station to be finger and/or hand printed. The lawyer's associate assured me that on that day, I will need to have patience.

And now, both Jeremy and I are sick. After watching Contagion on the airplane ride over, we both immediately thought that perhaps I had picked up some exotic, African bug from the huddling masses at the prefattura's office, but after listening to the amount of sniveling, sneezing, coughing, hacking and groaning in the halls of school today, I'm pretty sure the source of my illness is far more mundane. Indeed, it seems to be unfolding exactly like a run of the mill, American-style cold. My throat hurt so badly last night that I plunged into a tiny "Erborista Farmicia," hoping to find some throat soothing tea. The wonderfully tiny, ancient woman working there (who spoke no English, by the way), discussed my symptoms with me, and then puttered into the back room where she made up a concoction -- there were bags, glass bottles, an old-fashioned balance scale involved -- of 1 part echinacea, 1 part eucalyptus, 1 part pine, and 1 part something in Italian that isn't in my dictionary. I am to infuse it in water for 15 minutes, and then gargle and drink it, twice a day. It tastes like an unfinished furniture store, and I'm not sure it is any way more helpful than chamomile, but I am following instructions (Jeremy is keeping a close eye on my head, to make sure it doesn't turn purple, a la George Costanza after his trip to the naturopath).

Don't worry -- I also have ibuprofen, Sudaphed, all sorts of good, modern chemicals. I'll be fine tomorrow.